Rudolf Mosse (8 May 1843 – 8 September 1920) was a German publisher and philanthropist.
Mosse was also known for his philanthropic work. In 1892 he established a fund ( Unterstützungskasse) for his employees (numbering more than 500) with a capital of 100,000 marks, and in 1895 another fund of 1,000,000 marks for the same purpose. He built a hospital in his native town, Grätz, founded an educational institution for 100 children in Wilmersdorf, a borough of Berlin, with an endowment of about 3,000,000 marks, aided in the foundation of the Emperor and Empress Frederick Hospital in Berlin, and contributed liberally toward various literary and artistic endeavors. He represented the Jewish community of Berlin for ten years, and represented the Reform congregation there from 1904. One of his six brothers, Emil Mosse, became his business partner in 1884, while another Albert Mosse, achieved prominence as a jurist.
Mosse is buried in the Weissensee Cemetery, Berlin.
After his death, his son-in-law, Hans Lachmann-Mosse, took over the management of the Mosse Group. Already during the hyperinflation of 1922/23, parts of the company assets were lost. In 1926 the publishing house got into serious financial difficulties. The previously assumed bankruptcy filing on 13 September 1932Elisabeth Kraus: Die Familie Mosse. Deutsch-jüdisches Bürgertum im 19. und 20. Jahrhundert. C.H. Beck, München 1999, S. 502. could be revised by the latest research.Claudia Marwede-Dengg: Der Mosse Konzern bis Herbst 1932, 2018, in: MARI-Portal, [1] In addition to the effects of the global Great Depression, a series of economic mistakes made by the management weakened the Mosse empire. The company was Aryanised shortly after the National Socialist takeover.Claudia Marwede-Dengg: Die Enteignung der Familie Lachmann-Mosse, 2018, in: MARI-Portal, [2] The art collection from the estate of Rudolf Mosse was auctioned in May 1934 in Rudolph Lepke's Kunst-Auctions-Haus and in June 1934 in the auction house Union. Since 1 March 2017, the Mosse Art Research Initiative (MARI) at Freie Universität Berlin has been researching the exact circumstances of the expropriation and the whereabouts of the individual works of art.
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